The Freemasonic Olympics takes place nine years after 2012, but it’s no moment of triumph for Toontown (the City of London)

Out of the blue, there is going to be an extensive project at FBEL that centres around the Olympic Games – which, of course, are currently ongoing in Japan – and it’s all due to an incidence of serendipity.

A commenter made a good observation on the most recent article, which was partly about expectation management propaganda produced in 1936 regarding the planned Second World War – and call the author a bit dim, but the point was not got at first. To mitigate, the author did make sure he was a stranger to the 2012 Olympic Games opening ceremony at the time of its delivery, and ever since. However, with interest piqued, the bizarre spectacle was found on the internet, and watched into the early hours of this morning, and it was concluded that perhaps what the commenter meant was that the London Olympic Games opening ceremony was also expectation management, and with its odd focus on the NHS, a message about things to come; i.e. the fake pandemic – the Coronahoax.

While it’s true that a potential or a pre-established predilection in the British public to worship the NHS was required for the execution of the fake pandemic in the UK – and that the 2012 Olympic Games opening ceremony might well have been a piece of direct programming in that respect – the main drive of that show of 27th July, 2012, was Luciferian teaching.

First there was the history of the British Socialist State, with a Freemasonic slant  – naturally – where Georgian England was depicted as the Garden of Eden (so a prison, according to the perspective), and then there was a Victorian Lord of the Rings style transformation, where collectivised men and women, freed from their prisons, according to the perspective,  but grubby and unwashed in appearance, leapt fully formed from the earth like orcs to smother the green and pleasant land (the building of Jerusalem – or the Temple – the symbol of the completion of the Great Work to secure the Pharaoh class – or those who took legitimacy from King David [yes, it is barmy] – in its rule once and for all).  After the story of the establishment of the British Socialist State (Year Zero in the history of Luciferian Britain, explaining why the opening ceremony omitted any number of notable events that happened in the previous 2000 years), there was a drawn out presentation where it was explained how the masses are controlled for the maintenance of the status quo: first there is the arrested development foisted on a public that then cannot react in an adult way to its subjugation, as represented by sick, hospitalised children as captive trauma victims. Secondly, the walls of a house became a kind of flickering Kaaba of Mecca (a temple for an Aphrodite), literally representing the TV in the home, and the viper at the breast, that pied-pipes the young with pop music through the ages into a state of tribal dancing trance to the culturally vacuous Oirish-equivalent-of-fake-Jamaican accented noise of prison and black victimhood culture with electronic, synthesised drum – so even the banging isn’t real.

The serendipity comes in because it was just the other week, it seems, that the readers of FBEL were being treated to the history of the British Socialist State in the article, Prohibition And Covid-19; Part Four: An Historical Context; Social Engineering For Grabbing Power, which used as its featured image a copy of the 1988 Economist front cover showing a phoenix wearing the global currency minted in 2018 as a medallion. Of course, a phoenix featured in the closing ceremony of the 2012 Olympics, along with an actual pyramid, built as the viewer looked on (evidently, the author hasn’t watched this yet), so that the Great Work completed Freemasonic messaging would be quite clear.

The serendipity also comes from how it was planned to write some routine exposure of controlled alternative media (which is still in the pipelines) which happened to hark back to the 2012 Olympics with regards the security apparatus theatre, and the hysteria that was stoked by US/UK government operatives regarding the prospect of an attack on the games by terrorists – i.e. a false flag attack. When the aforementioned reader left a comment under a story about putting anti-aircraft into population centres to (in part) give the impression that the enemy was bombing civilians, then the author automatically thought about this aspect, and the deployment of actual missiles into the grounds and onto the rooftops of residential areas in 2012.

Of course, the terror scare and reintroduction to overt military oversight of and interference into civil affairs was a significant feature and driving motivation for UK Government’s modus operandi for the 2012 Olympics, although it was also a diversion, because at the time, in Syria, the people responsible for domestic false flag attacks had escalated a bid to overthrow Bashir al-Assad. And this brings us to another point of serendipity.

Only this week has corporate-media been signalling the failure of the Arab Spring. A coup in Tunisia, it is reckoned, signifies this – as an article by Patrick Cockburn at The Independent relates. The headline is, “The last survivor of the Arab Spring has fallen – as the Middle East returns to a dark past”, and the sub-headline is “The constitutional coup in Tunisia concludes the tragic saga of the uprisings of 2011 that tried to end dictatorship and deprivation”, and the following is an extract from the body of the piece:

One by one, the countries that briefly dreamed of a bright future in 2011 saw their hopes extinguished. In Bahrain, the Sunni monarchy ferociously stamped out demonstrations by the Shia majority, torturing doctors who had treated the injured and claiming, without any evidence, that the protests were orchestrated by Iran.

The outcome of the Arab Spring was uniformly disastrous in that in the six countries where it took hold the situation is worse than before. In three of them – Libya, Syria and Yemen – civil wars, all fuelled and manipulated by outside powers, are raging and show no sign of ending. Governments in Egypt and Bahrain, which is effectively a proxy of Saudi Arabia, ruthlessly crush any signs of dissent. Predictably, Egypt and Saudi Arabia have both welcomed the presidential coup in Tunisia.

Now, this is quite the admission – but then there can be no hiding the fact that Anglo-globalist plans for North Africa and the Middle East are in tatters – not to mention that since 2011 there has emerged a new fear of Iran which has proven that it will be a deadly adversary. So, reader, although the people who organised the fake pandemic on a seemingly global scale (and a long overdue piece on how Swiss Freemasonry is under the City of London [a project inspired by the same helpful reader, incidentally] would lend a lot of understanding to how this was possible) have managed to wangle what could never have happened so that the 2020 Olympics is being held in 2021 – nine years after the 2012 Olympics – there cannot be any sense of triumph about it. Maybe this is why it is not open to the public. And although the official excuse is the fake pandemic, maybe the Japanese Government doesn’t want to tempt those who would benefit from a false flag attack at a time when one is perhaps more desperately required than it was in 2012.

In the extensive project to come, there will be further exploration of all the topics here raised, including how the number nine represents gates of initiation, and how the Olympics is thoroughly Freemasonic so that there are even three steps (degrees) on a winner’s podium, at the top of which is the awarding of gold – or fire – or light [it astonishes the author to no end that there is alternative media that actually goes by this name, and that so many apparently invest themselves in it] – or gnosis – or godhood (the bullshit† variety, naturally). We’ll even perhaps get into that Swiss Freemasonry exposé, and definitely notice how the pyramid-cum-obelisk (Osiris’ penis) Shard building was built in time for the 2012 Olympics.

Toontown

The City of London

There is significance to this. In the Laurie household, London City is called Toontown because of how it’s new skyline looks like it is wobbling and even leaning over into the street (like the city of the cartoons that Bob Hoskins is loath to visit in Who Killed Roger Rabbit?, which bob around in old cartoon fashion), and what the Shard, along with the already built so-called Gherkin, represented in 2012 was a stage of development towards a full compliment of crazy constructions that are still meant to be completed by the middle of the present decade (see the image above for a picture of how it is envisioned). Fundamentally, it is pyramid building, undoubtedly to symbolise the triumph of the City of London, but there is cause to understand this to be fatal hubris, and also to indulge in a little gloating over what is a stupendously funny thing, which is this: the City of London’s triumph is never going to happen: people who by necessity of principle have to abandon the reason of the Renaissance for the incontinence of Gothicism (essentially a skyline of towers is one of those medieval castle where there is no thought for eurythmy – harmony in placement – or proportion related to human scale), are not equipped to win.

Moreover, the City of London looks like Toontown. How can it be taken seriously?

† The uncustomary swearing is for accent, because that we ultimately deal with nonsense is something that needs to be driven home, particularly to alternative media audiences, which are not as clever as they think.

In a future article on the Lord of the Rings style transformation, there’s going to be a look at the Son of Icke’s criticism of the 2012 opening ceremony which was given high profile in corporate-media, as it would. Unsurprisingly, Freemasonry is not mentioned, but instead Icke reinforces the very same schemes of new-ageism, and has his audience perceive in terms of the occult and Satanism; it’s a device that lots of controlled alternative media use so as not to mention Freemasonry. The FBEL article, 100 Years Of War Death Worship (Its Luciferian Significance) & Troping UK Government Crime, explains why “Satanism” is not the same as Luciferianism, and how the term “occult” is redundant when one is discussing Freemasonry.